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Theory of African Music Volume II: Chicago Studies in Ethnomusicology

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The field of ethnomusicology, which investigates the music of diverse cultures, has found rich and fertile ground in the study of African music. Africa's vast cultural diversity is reflected in its equally diverse musical traditions, ranging from the complex polyrhythms of West Africa to the intricate melodic structures of Central Africa and the vibrant vocal styles of East Africa.

Theory of African Music Volume II (Chicago Studies in Ethnomusicology 2)

Theory of African Music, Volume II (Chicago Studies in Ethnomusicology Book 2)

by Gerhard Kubik

5 out of 5

Language	:	English
File size	:	7482 KB
Print length	:	368 pages
Lending	:	Enabled
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Theory of African Music Volume II: Chicago Studies in Ethnomusicology is a seminal work in the field, providing a comprehensive and深入的examination of the theoretical foundations, cultural context, and performance practices of African music. Edited by renowned ethnomusicologist John Blacking, this volume brings together a collection of essays by leading scholars, each contributing their specialized knowledge to illuminate the multifaceted nature of African musical traditions.

Theoretical Foundations

The book's first section explores the theoretical underpinnings of African music. John Blacking's essay, "The Anthropology of Music," lays the groundwork by discussing the relationship between music and culture, emphasizing the importance of understanding musical practices within their social and cultural contexts.

Other essays in this section delve into specific aspects of African musical theory, such as the use of harmony, rhythm, and melody. A.M. Jones's chapter, "Harmonic Structures in African Music," examines the diverse ways in which African musicians create and utilize harmony, challenging the notion that harmony is a purely Western concept.

Similarly, David Rycroft's essay, "Rhythm and Tempo in African Music," explores the intricate rhythmic patterns that characterize African music, highlighting their cultural significance and the ways in which they are transmitted and learned.

Cultural Context

The second section of the book shifts the focus to the cultural context of African music. Essays in this section examine the role of music in various African cultures, from religious ceremonies to social gatherings and political events.

In her chapter, "Music and Ritual in Africa," Judith Becker investigates the close relationship between music and ritual practices in African societies, exploring how music shapes and enhances religious experiences and reinforces social norms.

David Coplan's essay, "The Social and Political Uses of Music in Africa," examines the ways in which music is used to express political and social messages, mobilize communities, and negotiate power dynamics.

Performance Practices

The final section of the book delves into the performance practices of African music. Essays in this section explore the techniques, instruments, and vocal styles used by African musicians.

Charles Keil's chapter, "The Structure of African Music Performance," analyzes the various elements that come together to create a cohesive musical performance, including the interaction between musicians, the use of space, and the audience's participation.

Margaret Kartomi's essay, "Instruments of African Music," provides a detailed overview of the diverse instruments used in African music, from stringed instruments like the kora to percussion instruments like the djembe.

Theory of African Music Volume II: Chicago Studies in Ethnomusicology is a landmark publication that offers a comprehensive and insightful exploration of the rich and diverse musical traditions of Africa. By combining theoretical analysis with cultural and performance-based studies, this volume provides a valuable resource for scholars, students, and music enthusiasts alike.

The book's interdisciplinary approach and the contributions of leading experts in the field make it an essential text for anyone seeking a deeper understanding of African music. Its detailed examinations of theoretical foundations, cultural context, and performance practices provide a holistic perspective on the subject, illuminating the multifaceted nature of one of the world's most vibrant and dynamic musical traditions.

Theory of African Music, Volume II (Chicago Studies in Ethnomusicology Book 2)

by Gerhard Kubik

5 out of 5